The Narrative Techniques Used by Hitchcock in Rear Window...

The Narrative Techniques Used by Hitchcock in Rear Window L.B. Jeffries is a high-class magazine photographer for what seems to be a worldwide publication. In Alfred Hitchcocks Rear Window, he is a temporarily wheelchair-bound man and his voyeuristic side appears later on in the film. Rear Window depicts a 20th century New York in which fraudsters, murderers and salesmen all live alongside each other. The story describes a man who broke his leg during a photography assignment. He is, for the time being, stuck in a wheelchair with nothing to do but look at the neighbours through his Rear Window. He hasnt seen the light of day since seven weeks ago. Rear Window is one of Alfred†¦show more content†¦This also shows that it is the start of the story. The window fills the whole frame of the shot. This is a good way of setting the scene for the viewers. Old-style joyous jazz music is played at the start - a good way of portraying happy times. The opening scene in Rear Window has no dialogue, leaving even more of the viewers in a pool of anticipation. The scene highlights the fact that every single thing in the film will be seen through that particular window. Alfred Hitchcocks Rear Window is a great example of first-rate camerawork. The camera is used as the narrator and probably plays the biggest role within the film. At the start of the film, the camera is used to pan around every single apartment within the inner city New York apartment block to introduce the characters. Although the characters do not speak, they still play a major role in the film. Alfred Hitchcock puts the viewers in the position of L.B Jeffries, making us all voyeurs. The camera is used to tell the story, as there is very little dialogue in the film. Throughout nearly all of the film, only one shot is used to tell the story, there are very few cuts. By doing it this way, Hitchcock is showing us exactly what the character is seeing. The cast of Rear Window includes Jimmy Stewart, the lovely Grace Kelly, Thelma Ritter, andShow MoreRelatedMovie Review : Rear Window1227 Words   |  5 Pagesof his works dwell considerably on voyeurism, Hitchcock’s 1954 film Rear Window addresses it most directly. Not only does the film comment explicitly on ‘rear window ethics’, it also forces audiences to identify with the characters who violate them. No character in Rear Window is morally clean, and through several cinematic techniques, Hitchcock compels viewers to sympathize with nearly all of them. More than anything, Rear Window is a film about the audience’s complicity with ethically imperfectRead More Alfred Hitchcocks Rear Window Essay1050 Words   |  5 PagesAlfred Hitchcocks Rear Window In Rear Window, Alfred Hitchcock took a plot-driven short story and transformed it into a character-driven movie. Although differences must exist between text and film, because of the limitations and advantages of the different media, Hitchcock has done more than translate a word-based story into a visual movie. Aside from adding enough details to fill a two-hour movie, Hitchcock has done much to change the perspective of the story, as well as the mainRead MoreModern Voyeurism1122 Words   |  5 Pagesseen as a modern interpretation of Hitchcock’s Rear Window. It’s a movie about a grounded teenager who starts spying on his neighbours out of boredom. After making a brief comparison between these two movies, I will mainly focus on the Male Gaze; how the protagonist, Kale Brecht, spends his days spying his new neighbour Ashley, a girl who just moved in the neighbourhood and becomes the object of desire of Kale. Voyeurism is the main theme in Rear Window as well as in Disturbia, the spectator looksRead More Alfred Hitchcock’s Rear Window Essay1177 Words   |  5 PagesHitchcock’s Rear Window In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this â€Å"movie within the movie† his neighbors’ lives become the subject for the plot. Each window representsRead MoreEssay on Voyeurism in Rear Window1917 Words   |  8 PagesVOYEURISM IN REAR WINDOW In this essay, I shall try to illustrate whether analysing the movie Rear Window as a classical example of the Freudian concept of voyeurism, is appropriate. Voyeurism is defined in The Penguin dictionary of psychology as: Voyeurism: characterized by a pattern of sexual behaviour in which ones preferred means of sexual arousal is the clandestine observing of others when they are disrobing, nude or actually engaged in sexual activity. Arousal is dependent upon theRead MoreVoyeurism In Rear Window1767 Words   |  8 PagesHitchcock began his career in the early 1920s as a silent filmmaker, and rose to fame after his first successful silent thriller, The Lodger: A Story of the London Fog (1927). As sound technology progressed and became more accessible to filmmakers and movie theaters, Hitchcock began to work in sound. However, for the remainder of his career, Hitchcock was profoundly influenced by what he called ‘pure cinema’. This idea represents the film medium and its affective and expressive capabilities, unconstrainedRead MoreEssay on Voyeurism: A Freudian Concept Analysed in a Movie1757 Words   |  8 PagesIn this essay, I shall try to illustrate whether analysing the movie Rear Win dow as a classical example of the Freudian concept of voyeurism, is appropriate. Voyeurism is defined in The Penguin dictionary of psychology as: â€Å"Voyeurism: characterized by a pattern of sexual behaviour in which one’s preferred means of sexual arousal is the clandestine observing of others when they are disrobing, nude or actually engaged in sexual activity. Arousal is dependent upon the observed person(s) not being awareRead More Alfred Hitchcocks Movie, Psycho and its Impact on the Film Industry2879 Words   |  12 Pagesthe shower. As a result, Hitchcock had to fight to make the film as close to his vision as possible and find ways to work around censorship laws. When the censors demanded he re-edit the shower scene on account of a fleeting glimpse of Janet Leighs breast, Hitchcock simply sent back the original cut on the (correct) assumption that they either would not re-screen it or would fail to see the barely noticeable nudity the second time around (Rebello 146). As well, Hitchcock reportedly shot the filmRead MoreThe Development Of The Horror Genre Throughout The Years1758 Words   |  8 PagesBoth ho rror and science fiction explore the boundaries of what is means to be human (Belton, 272). This is done by emphasizing the dilemmas of the figures who straddle the border of human and non-human (Belton, 273). Horror and Sci-fi contain narratives that take on a form of a search for knowledge that will enable the human race to overcome any obstacle that involves a supernatural force (Belton, 273); the story lines require a search or journey to resolve the issue. Horror and Sci-fi often overlapRead MoreThe Beginnings Of Cinema United States1931 Words   |  8 PagesThomas Alva Edison, whose company was also the producer of the short films. Fatherhood American fiction cinema is often attributed to Edwin S. Porter, who in 1903 used an innovative technique mount 8 - minute film Assault and robbery of a train by which different fragments from different shots of the same film was together to form a narrative whole. This work became film in a very popular art form, and led to nationwide sc reening rooms appear small, so -called nickelodeones. David Wark Griffith, a disciple