Sunday, May 24, 2020

The Narrative Techniques Used by Hitchcock in Rear Window...

The Narrative Techniques Used by Hitchcock in Rear Window L.B. Jeffries is a high-class magazine photographer for what seems to be a worldwide publication. In Alfred Hitchcocks Rear Window, he is a temporarily wheelchair-bound man and his voyeuristic side appears later on in the film. Rear Window depicts a 20th century New York in which fraudsters, murderers and salesmen all live alongside each other. The story describes a man who broke his leg during a photography assignment. He is, for the time being, stuck in a wheelchair with nothing to do but look at the neighbours through his Rear Window. He hasnt seen the light of day since seven weeks ago. Rear Window is one of Alfred†¦show more content†¦This also shows that it is the start of the story. The window fills the whole frame of the shot. This is a good way of setting the scene for the viewers. Old-style joyous jazz music is played at the start - a good way of portraying happy times. The opening scene in Rear Window has no dialogue, leaving even more of the viewers in a pool of anticipation. The scene highlights the fact that every single thing in the film will be seen through that particular window. Alfred Hitchcocks Rear Window is a great example of first-rate camerawork. The camera is used as the narrator and probably plays the biggest role within the film. At the start of the film, the camera is used to pan around every single apartment within the inner city New York apartment block to introduce the characters. Although the characters do not speak, they still play a major role in the film. Alfred Hitchcock puts the viewers in the position of L.B Jeffries, making us all voyeurs. The camera is used to tell the story, as there is very little dialogue in the film. Throughout nearly all of the film, only one shot is used to tell the story, there are very few cuts. By doing it this way, Hitchcock is showing us exactly what the character is seeing. The cast of Rear Window includes Jimmy Stewart, the lovely Grace Kelly, Thelma Ritter, andShow MoreRelatedMovie Review : Rear Window1227 Words   |  5 Pagesof his works dwell considerably on voyeurism, Hitchcock’s 1954 film Rear Window addresses it most directly. Not only does the film comment explicitly on ‘rear window ethics’, it also forces audiences to identify with the characters who violate them. No character in Rear Window is morally clean, and through several cinematic techniques, Hitchcock compels viewers to sympathize with nearly all of them. More than anything, Rear Window is a film about the audience’s complicity with ethically imperfectRead More Alfred Hitchcocks Rear Window Essay1050 Words   |  5 PagesAlfred Hitchcocks Rear Window In Rear Window, Alfred Hitchcock took a plot-driven short story and transformed it into a character-driven movie. 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Voyeurism is defined in The Penguin dictionary of psychology as: Voyeurism: characterized by a pattern of sexual behaviour in which ones preferred means of sexual arousal is the clandestine observing of others when they are disrobing, nude or actually engaged in sexual activity. Arousal is dependent upon theRead MoreVoyeurism In Rear Window1767 Words   |  8 PagesHitchcock began his career in the early 1920s as a silent filmmaker, and rose to fame after his first successful silent thriller, The Lodger: A Story of the London Fog (1927). As sound technology progressed and became more accessible to filmmakers and movie theaters, Hitchcock began to work in sound. However, for the remainder of his career, Hitchcock was profoundly influenced by what he called ‘pure cinema’. 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